English
Castellón, Spain, 1988. Lives and works between Madrid and Ávila, Spain.
Starting from the concept of Biophilia, as the sense of connection and innate affinity we experience with the environment, he questions the ways in which human beings interact with nature. His works reflects about this intimate relationship with the environment by making evident the extinction of experience and disassociation from nature.
Skyline reflects on the change of the point of view of sacred mountains to a merely material, productive and economic vision, in which the use of resources overwhelms any traditional way of handling nature.
Humans have left the unit with the universe, disappearing the relationship of spirituality and sacredness with nature, and this decoupling of modern society with the environment reveals the inability to live and preserve the territory.
This work aims to reflect on the mountains like home. The fragility and building structures with branches is confronted with an architectural obsession that when more imposing and proudest feels its presence, more bores mountains. An architecture detached from their environment that when more raises, more evidence the inability of developed societies to think holistically. Unrelated societies to the natural environment that only revere to themselves.
